{"product_id":"the-routledge-companion-to-architectural-drawings-and-models-from-translating-to-archiving-collecting-and-displaying-routledge-international-handbooks-1st-edition","title":"The Routledge Companion to Architectural Drawings and Models: From Translating to Archiving, Collecting and Displaying (Routledge International Handbooks) 1st Edition","description":"\u003cdiv id=\"bookDescription_feature_div\" class=\"celwidget\" data-feature-name=\"bookDescription\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"bookDescription\" data-csa-c-slot-id=\"bookDescription_feature_div\" data-csa-c-asin=\"1894020928\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"dpt3t1-2t2uxg-b649pi-d9hvdo\" data-cel-widget=\"bookDescription_feature_div\"\u003e\n\u003cdiv data-a-expander-name=\"book_description_expander\" data-a-expander-collapsed-height=\"140\" class=\"a-expander-collapsed-height a-row a-expander-container a-spacing-base 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class=\"description\"\u003e\n\u003cp\u003eArchitectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction.\u003c\/p\u003e\n\u003cp\u003eIncluding emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003edrawing sites\/sites of knowledge construction: drawing, office, construction site;\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ethe afterlife of drawings and models: archiving, collecting, displaying, and exhibiting;\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003etools of making: architectural representations and their apparatus over time; and\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003ethe ethical responsibilities of collecting and archiving: authorship, ownership, copyrights, and rights to copy.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe research covers a wide range of geographies and delves into the practices of such architects as Sir John Soane, Superstudio, Eugène-Emmanuel Viollet-le-Duc, Frank Lloyd Wright, Wajiro Kon, Germán Samper Gnecco, A+PS, Mies van der Rohe, and Renzo Piano.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch2 id=\"flush-headingThree\" class=\"accordion-header\"\u003eTable of Contents\u003c\/h2\u003e\n\u003cdiv aria-labelledby=\"flush-headingThree\" class=\"accordion-collapse collapse show\" id=\"flush-collapseThree\"\u003e\n\u003cdiv class=\"accordion-body\"\u003e\n\u003cp\u003e\u003cstrong\u003ePart 1 Drawing Sites\/Sites of Knowledge Construction: Drawing, Office, Construction Site\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 A Well-Sited Archive: The Carlo Scarpa Archive at the Castelvecchio Museum\u003c\/p\u003e\n\u003cp\u003eAlba Di Lieto\u003c\/p\u003e\n\u003cp\u003e2 The \"House Arrest\" of Michelangelo’s Mural Drawings\u003c\/p\u003e\n\u003cp\u003eJonathan Foote\u003c\/p\u003e\n\u003cp\u003e3 Representing Geohistory: Exploring Drawing as Reconstruction in the Archives of Eugene-Emmanuel Viollet-le-Duc\u003c\/p\u003e\n\u003cp\u003eAisling M. O’Carroll\u003c\/p\u003e\n\u003cp\u003e4 Buildings as Unsolicited Drawing Surfaces: An Atlas of Athenian Inscriptions\u003c\/p\u003e\n\u003cp\u003eKonstantinos Avramidis\u003c\/p\u003e\n\u003cp\u003e5 Brazilian Architectural Archives and Contemporary Challenges: The Archives of Paulo Mendes da Rocha, Gregori Warchavchik, Lina Bo Bardi, Roberto Burle Marx, Lúcio Costa, and Oscar Niemeyer\u003c\/p\u003e\n\u003cp\u003eSol Camacho\u003c\/p\u003e\n\u003cp\u003e6 The Place of Models and Drawings in Sir John Soane’s House and Museum\u003c\/p\u003e\n\u003cp\u003eHelen Dorey\u003c\/p\u003e\n\u003cp\u003e7 The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFabbriceria\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eand the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMise en a-BIM\u003c\/i\u003e: Where and What Are We Trying to Hide?\u003c\/p\u003e\n\u003cp\u003eClaudio Sgarbi and Jesse Rafeiro\u003c\/p\u003e\n\u003cp\u003e8 Finding Traces in Germán Samper’s Sketches: Making Public the Private Archive\u003c\/p\u003e\n\u003cp\u003eMaria Elisa Navarro Morales, Cristina Albornoz Rugeles, and Alejandro Henríquez Luque\u003c\/p\u003e\n\u003cp\u003e9 The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLiving\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eArchive: The Renzo Piano Building Workshop and the Renzo Piano Foundation\u003c\/p\u003e\n\u003cp\u003eRenzo Piano (RPBW), Chiara Bennati, Nicoletta Durante, and Giovanna Langasco (RPF), Interviewed by Federica Goffi\u003c\/p\u003e\n\u003cp\u003ePart 2 The Afterlife of Drawings and Models: Archiving, Collecting, Displaying, and Exhibiting\u003c\/p\u003e\n\u003cp\u003e10 Chance and Change: The Survival and Significance of Architectural Drawings and Models\u003c\/p\u003e\n\u003cp\u003eOlivia Horsfall Turner\u003c\/p\u003e\n\u003cp\u003e11 Life and Afterlife of a Design Process: Models and the Building of the Royal Albert Hall\u003c\/p\u003e\n\u003cp\u003eSimona Valeriani\u003c\/p\u003e\n\u003cp\u003e12 Thin Sheets: Tracing Openings within the Archival Matter of Alison + Peter Smithson\u003c\/p\u003e\n\u003cp\u003eAshley Mason\u003c\/p\u003e\n\u003cp\u003e13 The Intimate Archive: Sites of Representation and Embodiment in a Reading of Drawing Matter\u003c\/p\u003e\n\u003cp\u003eSophia Banou\u003c\/p\u003e\n\u003cp\u003e14 Monuments in Motion: Exhibiting the Full-Scale Replicas from the Barcelona School of Architecture Collection\u003c\/p\u003e\n\u003cp\u003eCarolina B. García-Estévez\u003c\/p\u003e\n\u003cp\u003e15 The Secret Afterlife of Three Drawings and the Reproduction They Spawned\u003c\/p\u003e\n\u003cp\u003eAdam Sharr\u003c\/p\u003e\n\u003cp\u003e16 The Singular Afterlife of What Was Once an Architectural Model\u003c\/p\u003e\n\u003cp\u003eJoão Miguel Couto Duarte\u003c\/p\u003e\n\u003cp\u003e17 Everlasting Inspirations of Archival Architectural Drawings in Japan: Traveling Avant-Garde Survey Sketches by Wajiro Kon\u003c\/p\u003e\n\u003cp\u003eIzumi Kuroishi\u003c\/p\u003e\n\u003cp\u003e18 When Is Architecture Art? Architectural Representations and the Postmodern Art World, or, Socioaesthetics\u003c\/p\u003e\n\u003cp\u003eJordan Kauffman\u003c\/p\u003e\n\u003cp\u003e19 Cold War Odyssey: The Story of Mies van der Rohe’s Drawings and Papers\u003c\/p\u003e\n\u003cp\u003eDietrich Neumann\u003c\/p\u003e\n\u003cp\u003ePart 3 Tools of Making and Knowledge Construction: Architectural Representations and Their Apparatus over Time\u003c\/p\u003e\n\u003cp\u003e20 I Will Begin with the Jar of Empty Pen Caps: The Architectural Archives of the University of Pennsylvania\u003c\/p\u003e\n\u003cp\u003eWilliam Whitaker\u003c\/p\u003e\n\u003cp\u003e21 Animate Instruments: Imagination and Architectural Drawing Tools\u003c\/p\u003e\n\u003cp\u003ePaul Emmons\u003c\/p\u003e\n\u003cp\u003e22 The Architectural Office Space as a Measuring Tool\u003c\/p\u003e\n\u003cp\u003eMarian Macken, Sarosh Mulla, and Aaron Paterson\u003c\/p\u003e\n\u003cp\u003e23 Tear It Down! Agency and Afterlife of Full-Size Models\u003c\/p\u003e\n\u003cp\u003eFabio Colonnese\u003c\/p\u003e\n\u003cp\u003e24 On the Archive Table: Embodiment, Objectivity, and the Construction of Historical Knowledge\u003c\/p\u003e\n\u003cp\u003eAthanasiou Geolas\u003c\/p\u003e\n\u003cp\u003e25 How Wrapping Paper Transforms Its Contents:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCity Metaphors\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eand O. M. Ungers’ Ghost Images\u003c\/p\u003e\n\u003cp\u003eSamuel Korn\u003c\/p\u003e\n\u003cp\u003e26 108 Embodiments of Potential Architecture: On Sisyphean Digital Libraries of Projects\u003c\/p\u003e\n\u003cp\u003eJean-Pierre Chupin and Carmela Cucuzzella\u003c\/p\u003e\n\u003cp\u003e27 The Nature of Architecture: The Primitive Hut and the Nordic Pavilion\u003c\/p\u003e\n\u003cp\u003eJonathan Hill\u003c\/p\u003e\n\u003cp\u003ePart 4 The Ethical Responsibilities of Collecting and Archiving: Authorship, Ownership, Copyrights, and Rights to Copy\u003c\/p\u003e\n\u003cp\u003e28 A Collector’s Ethical Responsibilities? Álvaro Siza’s Social Housing Projects at the Drawing Matter Archive\u003c\/p\u003e\n\u003cp\u003eNiall Hobhouse, Interviewed by Andrew Clancy\u003c\/p\u003e\n\u003cp\u003e29 The Move of the Frank Lloyd Wright Drawings and Models: From Private Archive to Public Collection and Its Promotion of Use and Deterrence of Abuse\u003c\/p\u003e\n\u003cp\u003eNeil Levine\u003c\/p\u003e\n\u003cp\u003e30 After the Original (the Afterimage): High Costs, Low Roads, and Circumventions\u003c\/p\u003e\n\u003cp\u003eMarcia F. Feuerstein\u003c\/p\u003e\n\u003cp\u003e31 Rise and Fall of a Draftsman: A Biographic Reading of the Lequeu Legacy at the National Library of France\u003c\/p\u003e\n\u003cp\u003eElisa Boeri\u003c\/p\u003e\n\u003cp\u003e32 Collecting \"Slowly but Surely\" Constructing the Swedish Museum of Architecture in Stockholm\u003c\/p\u003e\n\u003cp\u003eChristina Pech\u003c\/p\u003e\n\u003cp\u003e33 On the Silence of the Colonial Archive: Examining Sensorial Agency through the Archival Drawings of Indian Residential Schools in Canada\u003c\/p\u003e\n\u003cp\u003eÉmélie Desrochers-Turgeon\u003c\/p\u003e\n\u003cp\u003e34 The Luis Barragán Archives: A Long and Controversial Story\u003c\/p\u003e\n\u003cp\u003eLouise Noelle\u003c\/p\u003e\n\u003cp\u003e35 The Anxiety of Architectural Archives\u003c\/p\u003e\n\u003cp\u003eJanet Parks\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"edpIngress_feature_div\" class=\"celwidget\" data-feature-name=\"edpIngress\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"edpIngress\" data-csa-c-slot-id=\"edpIngress_feature_div\" data-csa-c-asin=\"1894020928\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"o8j1x1-2pxtr3-x8lvak-up9yhs\" data-cel-widget=\"edpIngress_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"a-section a-spacing-small a-padding-base\"\u003e\n\u003cdiv class=\"a-row a-expander-container a-expander-extend-container\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"a-section a-spacing-small a-padding-base\"\u003e\n\u003cdiv class=\"a-row a-expander-container a-expander-extend-container\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ebooklok","offers":[{"title":"PDF","offer_id":56753734877515,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1031\/1204\/8971\/files\/81XCDofgOyL._SL1500.jpg?v=1773058737","url":"https:\/\/bookread.io\/products\/the-routledge-companion-to-architectural-drawings-and-models-from-translating-to-archiving-collecting-and-displaying-routledge-international-handbooks-1st-edition","provider":"bookread","version":"1.0","type":"link"}